It’s no secret that the characterful brand mascot has become a dying breed in 2024. At this year’s Super Bowl – essentially the World Cup for ad campaigns – mascot-led commercials were almost ...

Analysing some of the best and most popular brand design work of this year, It’s Nice That and Frontify find common themes of nostalgia, bravery and a lot of humanity. Frontify is one of the world’s ...

Having challenged their editorial approach following a recent trip to Egypt, MacGuffin’s founding editor Kirsten Algera tell us how they’ve manifested a more engaged mentality. A long revered ...

Uncover why brand mascots are being killed off, and whether their near-extinction is good for business.

Following Type of Feeling’s launch earlier this year, the foundry now welcomes its first new release and eighth typeface: ...

As we sign off for the year, our advice column ends with a final reflection. Katie Cadwell looks back on the last six months ...

What do a cardboard box, a flooded country road, and an unpleasant smear on the bottom of your shoe have in common? They’re ...

16 years since the duo’s last onscreen adventure, Wallace & Gromit will be back on our TVs this Christmas. Here, we speak to its creator and director Nick Park, co-director Merlin Crossingham and ...

Our Mumbai correspondent meets three creatives who are celebrating the rich visual history of street type, and making projects that build on the tradition for contemporary type design.

A collaborative project between studio DR.ME and Oliver Wilson, son of Tony Wilson, aims to bring the largely unseen handmade posters and collected ephemera of the music legend into the public realm.