Wolf Man is tense and fun in the moment, but it lacks the thematic clarity necessary to leave a strong impression after the credits roll.

“Wolf Man” then jumps ahead 30 years, to adult Blake (Christopher Abbott) out in a busy San Francisco enjoying daddy-daughter time with young Ginger (Matilda Firth). Like his father, he is very protective of his child, scolding her for not getting down from a construction structure she walks atop the moment he tells her to do so.

The writer-director tells IndieWire how his reinvention of a Universal horror icon reflected his own fears and anxieties during the pandemic.

A reboot for a venerable and venerated Universal Studios monster franchise – is it a howling success or a barking dog?

Leigh Whannell's Wolf Man shares spiritual DNA with one of his most underrated projects, and it's the best part of his latest horror flick.

The staggering natural beauty of the Pacific Northwest becomes a bloodied hunting ground in writer-director Leigh Whannell's latest stab at monster mayhem: Wolf Man (now playing in theaters everywhere;