Orlando Ballet‘s delightfully gorgeous “Nutcracker” in December was always going to be a tough act to follow. So if the company’s “The Sleeping Beauty,” choreographed by Christopher Stowell after the ...
If “The Nutcracker” is the ballet people see the most, “The Sleeping Beauty” might be the one they love the most. Tchaikovsky’s score is inspired; Petipa’s choreography is highlighted by the Rose ...
Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The company wrapped up its season with two weeks of Peter Martins’s “The Sleeping Beauty,” a flurry of debuts and four promotions.
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