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Barsaat ki Raat was a rain-soaked romance. It had a qawwali that Shah Rukh Khan loves
If a luminous Madhubala is the heart, Sahir Ludhianvi’s Urdu poetry is the soul of Barsaat Ki Raat, 1960’s second-biggest hit after Mughal-e-Azam.
In a film culture that often mistakes global reach for box office numbers or English language visibility, Sanjay Leela ...
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